Stendhal Syndrome – Interview with Portugal. The Man

by Josh Smith & Jack Mueller

This is a bit of a departure for Stendhal Syndrome. Our round-table style music review column scored a webcam interview with John Gourley (vocals, guitar) and Kyle O’Quin (keyboards) of the prolific shape-shifters Portugal. The Man. We were also joined (albeit briefly) by Milena Quinteros of the music blog Miles Awaay. Despite technical difficulties such as Josh’s camera not working (and his incessant, awkward laughter), we managed to leave space for the band to deliver some interesting and insightful answers. Kick back with your beverage of choice and enjoy Stendhal vs. Portugal, complete with semi-discernible audio clips!

 

Josh Smith: First off, thanks for doing this – this is super awesome. It’s kinda throwing us out of whack though, we usually just kinda review albums and we’re usually really drunk while we do it. So we’re both sober and we’ve never interviewed anyone, let alone bands that we actually really admire.

Jack Mueller: Whoa, um. Actually there’s a correction. I’ve been drinking since about nine o’clock this morning.

John Gourley: I feel you.

Jack: Actually I was at work earlier and they made me leave ‘cause I kept talking about this over and over again. Kept having to take a drink to calm my nerves, so here I am.

Josh: Well, Jack, do you want to just get into it? Should we get the stupid question out of the way?

Jack: Oh, yeah, might as well.

Josh: We have one stupid question for you.

John: What’s the stupid question?

Jack: I got a buddy who writes prose-poetry, Colin Reed Moon, his stuff’s a little hoity-toity, a little pretentious and he likes to throw in his jottings a little extra punctuation so I’m wondering, is that where you guys are coming from on the name?

Listen to John’s answer in stunning “no-fi!”

John: When we started this band, obviously we hadn’t been in print before, it wasn’t something we thought about. The original band name was “Portugal and the Approaching Air Balloons,” which was: this is our Ziggy Stardust and that’s his backing band. And to us it didn’t come across. We played a few local shows but, I think after a bit we decided; fairly quickly, we needed to point out that “Portugal” is a man, he’s the man and the period is there because it’s Portugal fucking period, all right. He’s a fucking man.

Jack: Hit that with a heavy one!

John: “I don’t know what you’re talking about, why isn’t it a comma?” or something, what the fuck ever.

Jack: No, I know exactly, it didn’t need to be a comma. But I had my own theories about why this was kinda rolling along. I figured maybe you guys were pulling some stuff from the news, you were touring in Europe or something and you had to read through just some random shit and the one sentence ended and the other one began. And then I was like, “what would those sentences be?” and I came up with a whole list of them.

Josh: He did, it was ridiculous.

Jack: Absolutely ridiculous, but my favorite is, “The plague of conmen selling ferrets as poodles has not yet moved from Buenos Aires to the shores of Portugal period The man in charge of animal imports assured poodle owners throughout the nation not to be concerned.

John: Those things come up in my Google alerts all the time. I mean, I guess whenever it happens, so not all the time, but there was a thing about a guy who was a big drug trafficker from Portugal.

Kyle OQuin: Yeah, so like “99 kilos shipping in from Portugal period the man was arrested for…”

Josh: You have infinite explanations for the name that you can use to mess with people.

John: I’ll just tell them, “fuck off, man.” I’ll start them off with that. Total rock star move. That’ll be taken out of context.

Josh: Let’s talk about these videos you’ve been putting out for the new record. First off, that video for “Evil Friends” was just this ominous thing that juxtaposed these sinister flashes with some more fun – you guys are snowmobiling around, running around in the snow – and then the other day you just unleashed this video for “Yellow Purple Red & Blue” which is just this creepy, uncomfortable whirlwind of mad shit going on.

Jack brings the creepy…

Jack: I personally loved it. I got done watching that thing and I immediately ran out of my house across the lawn to my neighbor’s house to peek in their window just to make sure their seventeen year old daughter wasn’t doing anything stupid and weird like that.

John: Fuck man. That’s what it’s meant to do. That is probably the most uncomfortable I’ve ever been.

Josh: It translated well.

John: I’m friends with the guys that made that. It’s the same guy that’s shot the last three years of videos for us. With different directors. We had That Go direct the video, and we’re friends but we don’t hang all the time. When I was sitting on that bed, he told that girl, “Hey Dee, why don’t you just pile all over him, take some selfies, do what you want.” I’ve never felt so uncomfortable. That was really intense for me. And the whole time she’s posting the pictures to Facebook and to Instagram and she’s like “Um, that wasn’t acting.” She wasn’t acting, she was dancing, hanging out, having fun.

Josh: It worked out better than planned then, huh?

John: Oh, definitely.

Jack: I can see how that could get awkward. So are those the two video you’re going to do for the album or are there gonna be more coming?

John: We’ve done some other stuff already that we’re probably not supposed to talk about because it’s not approved yet but AG Rojas shot a video for us as well. I think that should probably be out soon.

Jack: You said you’ve got your friends that are making all these videos with you guys. Some of them seem like they are that type to go, “Hey guys, it’s been fun, it’s 11:00 at night, let’s grab the video camera, turn it on and lets go put some of this together.” How formal studio production is that?”

John: Some of it is. “Purple Yellow Red & Blue,” that video was a production for sure. There was a full crew up there. “Evil Friends” was Mike Ragen Who is normally a [Director of photography], he doesn’t normally direct videos, he just flew up to Alaska and we went out and shot that video. It just kind of depends. Some of our treatments, if we’re shooting them with Mike, just the two of us, it’s “He rides on a dog sled and loses the dog team.” That’s it, that’s the treatment.

Josh: So that’s like the “Sleep Forever” video that you guys did.

John: Yeah, so treatments are really loose when we go and do things on our own. But with other directors, we kind of have to be on top of it. AG was really easy. They were just great getting us where we should be.

Josh: You’ve got the videos down, but you always have really intense artwork for the albums, for the cover art and the packaging. From what I gather John, it’s you and Zach [Carothers, Bass] who kind of collaborate on the artwork. How does that usually come about?

John: Zach is not an artist.

Josh: Oh, he doesn’t contribute photos or anything like that?

John: No, he does. We also have a guy named Austin Sellers who puts everything together. Zach and I just kinda hang out.

Josh: So are we going to get another elaborate packaging setup like we got with The Satanic Satanist?

John: I think so. I think I see a piece of it sitting right in front of me. But I don’t know, probably. This thing right here.

BEHIND THE MUG! BEHIND THE MUG!

That thing BEHIND the mug. Photo snagged from the Portugal. The Man Instagram. Go follow them already!

Josh: I can’t see it too well, but I’ll just assume that it’s awesome.

John: Kyle can hold it up. There’s like different pieces. That’s on wood. This hasn’t been approved yet so we don’t know for sure. But it looks cool. They’re having me draw a lot of stuff right now.

Jack: That portrait you see on Josh’s image that shows up, that was a woodcut.

John: Nice.

Kyle: That looks awesome.

Josh: Yeah, I don’t know what’s going on with my camera. I’m here, I promise.

John: Interesting, your lips don’t move. Just staring at me.

Josh: I’m a very intense black and white figure.

Jack: His video did work before, I think it’s just frightened right now.

Josh: Yeah, we totally ran tests and I think I transferred my nervousness onto my camera.

Jack:  Anyway, you guys have been playing a lot of shows and you just posted all your new dates which I’m super excited about because now I don’t have to pay a scalper like triple prices to get a ticket for Red Rocks. So, what are your favorite types of places? You got your arena stadiums: all controlled, indoor, 60,000 people, all the energy; you got your outdoor venues, like you played Coachella recently; and then you got your little tiny intimate venues, like I saw you guys played the Ogden theatre up in Denver last year or so. What’s your preferred venue for playing?

John: Damn dude, they’re all cool.

Kyle: Small and indoors, because they’re nice and personal.

John: They’re all fun. The small shows are more fun, but there’s something about playing those bigger stages, too. I mean, the small venues are just loud, I mean, fuck, we like to be loud, but it’s a whole different thing when you can actually hear what you’re doing and you have that amount of people come together. 60,000 people is probably not an exaggeration as far as our typical shows. Big fucking show. It’s just all different, I think it’s all cool. Festivals are hard, because you’re rushed onto the stage and you have to be prepared for everything.

Milena Quinteros: Are you playing on a lot of festivals this year?

John: Yeah, we’re playing a lot of festivals, we just played Coachella.

Milena: You’re not going to Primavera in Barcelona?

John: We’re going to Australia and Japan; you know I don’t think we have a lot of festivals in Europe this year, which is too bad.

Milena: I saw you in Paris in a small venue in 2011.

John: Oh, in that basement venue?

Milena: Yeah it was a small place.

John: That was fucking amazing. That was our first trip to Paris.

Milena: It was small, it was fabulous.

John: It was so funny, they said that rock bands normally don’t do especially well in Paris and, you know, “there’s not going to be that many people there” and it was  packed. That was insane.

Josh: When you released the video for “Purple Yellow Red & Blue,” there was a little interview along with it and John, you had this quote that was great, you said, “At the end of the day we’ve worked really hard to keep ourselves free from any of the genre trappings. No one needs that.” I just love that outlook that you put in your music and I was wondering where you find the inspiration and energy to just keep making albums at such a rapid pace and still be able to come up with these great sonic landscapes that really alter from record to record.

John on music!

John: That’s always been important to me. I mean, I’m a really big music fan, I watch bands like Jet come out with the record that they did and it was massive and how do you follow that up with Kings of Leon? How do you follow that up? When you make a record like that, when you’re stuck being a rock band, there’s nowhere to go. You can only re-write the same songs so many times. I mean other people’s songs.

Josh: It seems like a lot of bands will just find their money sound and just keep repeating it. We can always count on you guys to change it up, it’s great.

John: I think it’s being aware of yourself – a lot of it is trying to be self-aware and know that music is just music. It’s not like people are listening to us because of that one song, we haven’t had that one song. You know? And for us it’s just kinda, “Alright then, here’s whatever we wanna do.” I’m fuckin’ rapping the next album.

Josh: Do it.

Jack: Talking about that, do you guys have any long sessions going? I don’t know how you record exactly, but it feels to me like you guys could probably play a jam band session for like thirty, forty minutes straight and enjoy that just as much or more, but you’re obviously capable of going in the studio then and refining that down and boiling it into a killer song and making an album out of it. I think It’s Complicated Being a Wizard maybe shows off that 26 minute song ability.

John: I made that fully as, I don’t know, it was kind of a joke. The guy who made our first record let me come and crash at his house for a couple weeks and use his studio and I went down there and I was kinda messing around, seeing how I could transition things. I was really just learning more than anything and he came downstairs at one point and just said, “What are you doing, man? That’s like seven minutes long, what are you gonna do? Are you actually going to do something with this?” I was like, “Oh it’s gonna be 23 minutes, it’s gonna be the Michael Jordan of EP’s.” I don’t know why I said that, but even with the tempo changes and everything, it ended up being exactly 23 minutes. Crazy.

Josh: That’s awesome. Before we run out of time, I’ve got one from my buddy Shaun in Casper, Wyoming. He said he would like you to know that he is not against booking you to play at his mom’s house and he is dead serious. So we can make that happen if you’re up for it.

John: I would love to play mom’s house.

Jack: Because we typically do album reviews, we kinda go out on a rating system.

Josh: Do you wanna do one for the video or something?

Jack: Yeah so I think we need to throw a rating down for the “Purple Yellow Red & Blue” video. So I’m definitely going to give you guys somewhere in the neck of 37 out of 13 Perverts Hanging Out of Your Neighbor’s Window.

Josh: Perfect. 37 out of 13. That’s a pretty solid rating, I can’t top that. I’ll give you guys a solid 35 out of 13 Perverts Hanging Out of Your Neighbor’s Window, that’s good.

Jack: Best rating ever from me.

Josh: Yeah, I think that’s a record.

Evil Friends is out June 4th, preorder it now!

 

Jack Mueller is an asshole in real life, too. Follow him on Twitter: twitter.com/ShutYerBandHole
Josh Smith wrote a novel about paranoia, corporate hitmen, and music called Suffocate City. He can be found at: facebook.com/synonymouswithanonymous

Tales From the Dark House – Jonny Changes Things Up

What the fuck, Wyoming?

By
Rev. Jonny Dark

Greetings once again America. For those few die-hard fans of mine out there, still twitching and oozing your way through your various sordid lives, you’re going to notice a few changes to the column. First, and most obvious, would be the absence of all the hate filled tag-lines that one is typically greeted by.  These are gone. The Dark House has undergone a bit of remodeling.

Now, before you infantile, semi-literate, borderline psychopathic freaks of nature who are my fan base start freaking the fuck out, let me offer an explanation… see if I can’t put your frantic little minds to ease.

I haven’t gone soft.
I haven’t found God or any other idiotic belief.
I haven’t received any sort of ‘awakening’ of any kind.

Quite simply put; I’m tired of it. I’m tired of it, and you should be as well. It’s time to grow the fuck up people, because this shit isn’t working anymore.

Ok, enough of all that. Let’s get this thing going.

Some months ago, that infantile, semi-conscious group of idiots that are the editors of Bedlam Publishing decided, in their collective wisdom, to send yours truly to Cheyenne, the capital of the great state of Wyoming in order to cover this year’s State Legislative Session. As one can imagine, this venture ended in a tremendous waste of everyone’s time, energy and money.

It’s not that I intended to completely piss away this assignment. It’s not that I intended to blow my whole expense account on strippers, rot-gut whiskey and readily available weed from across the border in Colorado. It’s not that I intended to find myself running from the cops down Pershing Avenue at three in the morning with boxing gloves duct taped onto my hands and a strap-on dildo secured snugly to my forehead. These things just happen. Especially when you have zero press credentials, a demeanor that triggers most people’s ‘flight or fight’ response, and a company credit card. In other words, after spending two days having every person going in or out of the Capital Building politely telling me to go fuck myself (preferably someplace far from them) I went from frustration to rage to boredom to saying “FUCK IT” and cutting loose. This may come as a surprise to some, but I’m actually a terrible journalist.

In all reality, this was probably the best possible outcome for everyone involved. I mean, honestly, what the hell do I know about politics? Nothing. I do have a pretty good understanding of Law, which is what these sessions are actually supposed to be about, but more and more it seems Law is moving from its intended purpose of Athena’s shield ensuring freedom and protecting the populace to Brutus’s knife that politicians use to stab each other in the back. All for the amusement of constituents whose only gain is the seething satisfaction of showering themselves in the blood of those with whom they disagree. An act that any interested party justifies by labeling as ‘Progress.’

Aren’t you people sick of this yet?

Whatever. Let me sum up the definition of politics in Wyoming:

1:  The representatives are nothing but a pack of narcissistic, sneering bullies who not only attempted, but succeeded in using the Wyoming Constitution as a cum rag after blasting a money shot all over the face of another elected official and kicking her out the door with smeared mascara, shattered dignity, and a fist full of 20′s like a college sophomore after ‘auditioning’ on a casting couch. This is, of course, in reference to Superintendent of Public Instruction Cindy Hill. If you want details, fucking Google it. I have neither the time nor space for it.

2:  A great deal of the voting public, or at least a great deal of the politically minded citizens of this state are plagued with the cognitive reasoning and maturity level of teenage, sexually abused bloggers who believe that small minded death threat emails constitutes as the most effective form of ‘political activism.’ You know the mindset. It rides on the philosophy that the louder and more threatening you scream your ignorant bullshit, the more valid it becomes.

3:  The Governor of this great state, Matt Mead, who was elected on the image of a Reagan-esque, hardliner cowboy has turned out to be a completely worthless, chickenshit coward who conducts himself more and more like a groveling boot-licker whenever anything that might get him beat by his ‘Master’ (the Federal Government) is suggested by anyone in this state.

I’ll actually give some examples on this one. HB0104, also known as the Firearm Protection Act would have effectively deemed the regulation of firearm sales and ownership to be solely under the control of the state. Even though Gov. Mead never had the opportunity to strike it down (due to it getting shut down by missing a deadline), he had already come forward stating that he wouldn’t sign the bill into law. This is amusing since the U.S. Senate recently took President Obama’s 23 Executive Orders regarding gun control and not only shredded them, but crumpled them into a ball and shoved them down his throat (by passing a bill introduced by Sen. John Barrasso of Wyoming). Next, we have the small matter of the Federal Government actually owes the State of Wyoming roughly 53 million in mineral royalties. And what is our fearless leader doing about it? Fucking nothing!

It’s frustrating.
It’s infuriating.
It’s depressing.

Some of you may be wondering why I haven’t written about something a little more current or interesting. Well, it’s not that the opportunities haven’t been there, but let’s be honest… shit’s getting crazy. Seriously, I sat down and went through the headlines of the past few months all the way up to the shit going on in Boston and it reads like the lyrics to Billy Joel’s ‘We Didn’t Start the Fire.’  This world has gone beyond crazy… it’s become laughably ridiculous.

Regardless, I will make a sincere effort to be a little more on the ball in the future.

Love,

Jonny

Stendhal Syndrome: The Bronx – Bronx IV

by Josh Smith & Jack Mueller

Stendhal Syndrome is a round-table style music review column, except there are only two of us and instead of preparing facts and references for debate, we flap gums and work on a buzz. The goal here is to discuss albums from different perspectives and help potential listeners get a better taste of the music than with a rushed, one-dimensional review, because after all… REAL RECORDS HAVE TWO SIDES.

 

Josh Smith: I know it seems weird that we didn’t wait four or five months between columns, but we’ve been promising this one for a while.

Jack Mueller: Yeah, thanks to a vote by your not-as-useless-as-I-thought-they’d-be Facebook friends, we get to talk about the fourth self-titled album by The Bronx!

JS: I’m pretty sure you’re my most useless Facebook friend.

JM: You really need to work on your compliments.

JS: Don’t you have a crack about them refusing to name any of their albums?

JM: No. These guys are bad ass, they do whatever they damn well please. This is a band from L.A. that calls itself The Bronx, so the only thing you can expect is that they’re going to fuck with your head.

JS: And probably rock.

JM: Oh right. Two things: They’ll rock while fucking with your head.

JS: And that their album will be self-titled.

JM: Enough already, I get it.

JS: Fine, but back on your first point, they actually moonlight as a mariachi band under the name Mariachi El Bronx, which I think is awesome.

Mariachi El Bronx

No, seriously.

JM: El Bronx is cool as Hell. What better way to yank people’s heads out of their asses than say, “Hey, we’re some hard rocking motherfuckers, but we’re gonna go tour and record as a mariachi band for a couple years.” They didn’t give half a shit how it impacted their image, or what the scene or the music industry or anybody else thought, they just wanted to do it.

JS: That was a bold move, most bands wouldn’t chance it. I could never get into their earlier albums, but their appearance as El Bronx made me give them a second chance. And this isn’t just a stunt, with the exception of the English lyrics, they actually play pretty authentic and super enjoyable mariachi tunes.

JM: They give the style a bit of a titty-twister, but yeah, it’s still legit mariachi. I know you like mariachi Bronx more than the rock Bronx, but you’re a moron. I’m glad to see them come back to the rock world.

JS: Whichever you prefer, you’re right about one thing: these guys are bad ass.

JM: I know. And this record is a damn fine example of that. It’s not as hardcore or whatever as their first couple albums and the hipsters will bitch about that, but the important thing is that it’s still The Bronx and it’s still really fucking good.

JS: Bronx IV is a scorcher. The guitars explore a wide range of styles, but the band always keeps classic hardcore within reach.

JM: One of the best things about this band is that they’re gonna do what they want, no matter what. They can riff on any style of music, but by the end of the song, you can’t point fingers because they own every note.

JS: They even swerve dangerously close to butt rock territory on a couple occasions, but they wrangle that influence and inject some life into it. They pull up to the abyss and instead of getting sucked in, they plant a flag and take over.

JM: This is a band that’s not afraid to fuck around and have some fun, but yeah, they do it without knocking the IQ points straight out of your head like a lot of other “fun” music.

JS: Vocalist Matt Caughthran makes sure of that. His drive to present compelling ideas really distances the band from their hard rock contemporaries.

JM: He makes almost every other pack of wound-up rockers come off like slobbering dipshits.

JS: He really does and that’s where I got hooked. When I first heard The Bronx, I wrote them off because of my aversion to being shouted at while listening to music, but occasionally one of these crazies breaks through and revitalizes my lost love for heavy music.

JM: That’s beautiful. You want a fucking tissue? Look, Caughthran isn’t the screaming maniac he was when The Bronx first started. He’s developed his pipes over the years, and can actually sing, but he hasn’t forgotten to break out those Sam Kinison throat shredders. So that probably helped you find enlightenment or whatever.

JS: Nothing screams “enlightenment” quite like Sam Kinison. But the difference in this band pre- and post-mariachi is pretty significant. I think the sharp direction change really helped free them up to try new approaches, and that difference makes this record shine.

Sam Kinison still wants to bite your face.

“Enlightenment, motherfuckers! EN-FUCKING-LIGHTENMENT!! AAAAAHHHHHH!!!!”

JM: That and the fact that it just fucking rocks. The Bronx built on that new angle with some no-bullshit, bone crushing rock ‘n’ roll.

JS: It rocks with absolute conviction. That passionate element doesn’t always translate well to studio recordings, but it does here and it’s so critical. Also, we started talking about it a little but I want to go back to the lyrics. There are some genuine, well presented nuggets of pure street wisdom on this album.

JM: I didn’t think you’d like the lyrics since they aren’t all full of over-poetic, obscure bullshittery.

JS: Uh, what?

JM: Fuck you, I said bullshittery and I meant it. Bullshittery: like, purple prose exposed for the meaningless, ornate bullshit that it really is.

JS: Ok, I’ll call the Webster folks and have your clever new word submitted as soon as we’re done here.

JM: Do it, I’ll be more famous for making up words than the rest of you Bedlam dweebs.

JS: Ouch. But technically, you are one of the Bedlam dweebs.

JM: Well don’t expect to ride to fame and fortune on my coattails. I’m leaving your asses at the gate.

JS: Who do you think you are, The Black Eyed Peas? No one’s going to pay you to mangle the English language.

JM: They will if I do it over a bangin’ beat.

Bronx IV

Bronx IV

JS: Right. Well these lyrics are the exact opposite of whatever it is you’re doing over there. Pretension isn’t part of the equation, but poetry definitely is. “Torches” is one of my favorites, with lines like, This empire’s a burden to me / there’s no polishing this poverty / I’m passing my torch to the blind / I hope your luck’s better than mine.

JM: That one’s not bad. I like the next part about vultures and kids bathing in the blood of the sun.

JS: So good! I can’t get enough of that song.

JM: The opener is better, where he says, Are you the Antichrist or the Holy Ghost? / Do you wanna die or just come real close?

JS: That’s a great introduction to the album, and it just keeps delivering all the way through.

JM: Well, it kinda fizzles out towards the end, but for the most part this record just rages.

JS: The last two tracks took a few spins to get into, especially after getting trounced with the furious run of “Under the Rabbit,” “Ribcage” and “Valley Heat,” but they are both solid tunes. Maybe if the track listing was shaken up, they would sink in a little better.

JM: Or if they were both more like “Under the Rabbit.” That song is a fucking beast.

JS: I can’t get over that Sam Kinison comparison. “Under the Rabbit” kind of sounds like Kinison fronting Motörhead.

Lemmy says no.

“If you even think about fucking up one of my songs, I will kill you with my warts.”

JM: Holy shit that would’ve been awesome! Lemmy is irreplaceable, but if anyone had to fill in temporarily, or even split vocals on a track or two, Sam fucking Kinison would have been a legendary choice.

JS: It would’ve been insane, but this will definitely work for now.

JM: No way. Calling all digital audio nerds! Someone please drop some classic Sam into a couple Motörhead tunes and YouTube that shit!

JS: As much as I don’t want to encourage this, I kinda want to hear the results.

JM: See, you’re not as stupid as you let on.

JS: Gee, thanks.

JM: I’m here for you, buddy. Speaking of which, I have to go drink somewhere that isn’t my couch so let’s wrap this up.

JS: Sure thing. Overall, I have to admit that this album really surprised me. I didn’t expect a whole lot, but I’ve really been taken in by it.

JM: That’s the man in you trying to break out from all that shit you listen to that sounds like whale mating calls.

JS: Whatever it is, it’s awesome. For a record about conflict and loss and regret and mistakes and loneliness and delusion and a failed salvation and all this not-so-swell stuff, I always feel great after I listen to it. It’s a refreshingly human piece of work, and it handles all of its many negative, challenging subjects with an element of… I don’t know if it’s hope, or relief or, you know, ability to overcome or what.

JM: Or the booze is working.

JS: That might be it.

JM: Really though, you nailed it; it’s rock ‘n’ roll therapy. It’s why we listen to music.

JS: That’s what I was looking for!

JM: This is a tough, real record. And you know what? Speaking of real music, ever since the day I set foot in Wyoming, I’ve been listening to people tell me how much they love fucking country music because – and it’s the same exact sentence every single goddamn time – they say, “I just like country because the songs are about real life.” Well I’m putting that bullshit to bed right now. If my life was as boring and meaningless as a fucking country song, I’d have blown my face off a long time ago. This is an album about real life. Don’t ever fucking tell me country music is about real life. Bullshit.

JS: Oh good, I’m not the only one who wound up drunk. But get used to hearing that phrase, I think it should be the Wyoming state motto.

JM: I love hate this place.

JS: That’s probably the best way description of Wyoming ever. What’s the verdict?

JM: This is a good one. 34 out of 41 Sessions of Rock ‘N’ Roll Therapy with Sam Kinison’s Screaming Corpse.

JS: Yes. My rating actually went up while we talked about it, I’m hooked. 37 out of 41 Sessions of Rock ‘N’ Roll Therapy with Sam Kinison’s Screaming Corpse.

JM: I already have a target for next time. You ready to make this happen more often?

JS: Definitely. My liver, however…

Buy Bronx IV on Amazon! | Buy Bronx IV on iTunes! | The Bronx home

 

Jack Mueller is an asshole in real life, too. Follow him on Twitter: twitter.com/ShutYerBandHole Josh Smith wrote a novel about paranoia, corporate hitmen, and music called Suffocate City. He can be found at: facebook.com/synonymouswithanonymous

Columns/Stendhal Syndrome

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The Dojo Under the Freeway: An interview with “Clint the Ninja”

by Leviathan Joe

-This piece first came to us by sometime collaborator and liberal-at-large Leviathan Joe in June of 2010. It is the only known statement given by the so-called “Ninjas of Casper” to members of the press. Though little could be verified, the consensus among staff and editors at Bedlam Publishing is that the piece is at least 93-97% true.

Ron Boot, staff editor
Bedlam Publishing
March, 2013


May, 2010
– The midnight air carried the smell of snake shit and springtime animal rot as I picked my way through the brambles and shrubs along the Platte River Parkway. The longneck bottles of Bud Light I carried clinked loudly and I could feel the eyes and ears of the night trained on my noisy blunderings. My subject had agreed to meet only at this time and place, and even then only under the condition that I bring booze. Near the overgrown pillars of the bridge was a barely-remarkable accumulation of floral debris piled around the existing bushes. Tucked within the branches I spied the cardboard wall and the smeared-on yin-yang symbol. Smeared on with what, I did not know.

“Clint”: Enter

Leviathan Joe: ‘Kay…

I crawled in. The dojo was lit only by a birthday candle sticking from the center of the dirt floor. The tiny flame revealed a karate post fashioned from a truncated street sign (Washakie St. and Forest Ave.); dirty, bloated issues of People magazine with library stickers, and a pair of sitting rocks.

“Clint”: Sit.

His voice was flaxen and apt. As I settled in, the flame was snuffed out and the darkness was absolute. The twelve-pack was whisked away from my fingers without a tink. I heard two simultaneous CO2 farts and two bottle caps banking off the cardboard. A beer settled into my hand. I wondered if the Census guy went through the same routine.

Leviathan Joe: “Clint”… is that your ninja name?

“Clint”: Yes.

LJ: So, “Clint the Ninja,” then?

CtN: Yes.

LJ: Were you born here, or…?

CtN: I was actually raised by wolves, deep in the woods, up in Minnesota.

LJ: Did you grow and extra fur or anything? How did you keep warm?

CtN: I actually had a very hairy back from birth. There might have been some cross-breeding going on in my heritage. Some people say I remind them of a wolf because of how fast I am and all that. I also eat raw meat and howl. That’s kind of a prerequisite for being in the wolf club.

LJ: Were there any others like you?

CtN: Nope, I’m the only one. I’m pretty special.

LJ: Did you have any goals or dreams at this point in your life?

CtN: Well, I figured I needed a job, so I broke away from the pack at the age of 8. And I washed dishes for a while.

LJ: At the age of 8?

CtN: Yes, I became quite good at it. Although I almost got fired a few times for defecating on the floor. You know, I wasn’t used to using a toilet, so I just made do.

LJ: So when did you know that you wanted to become a ninja?

CtN: I was walking home one night on all fours, because that was a hard habit to break, and these 4 guys popped out of nowhere and attacked me. I was outnumbered and surprised and they beat me up pretty good. So I started investigating what the best fighting technique would be for a boy who’s part wolf. All the research I did pointed me in the direction of becoming a part-time ninja. So that’s what I did.

LJ: How did you do that?

CtN. Basically I trained myself.

LJ: Did your background as a wolf-boy influence your style?

CtN: Yeah. As soon as I get a chance I just try to rip a gaping hole my enemies’ necks. That’s really my signature move. I’d practice during shifts with bags of uncooked French fries.

LJ: Did you apply these new skills to the dishwashing gig?

CtN: It took years to develop, but I did find I was able to wash a lot more dishes, and I got promoted.

LJ: A senior dishwashing position?

CtN: They let me start working with the French fries again, which I hadn’t been able to do since throat-rip training. That’s really where the big bucks are: French fries. A lot of people don’t realize that.

LJ: Did that conflict with your wolf instincts; starving in the long winters and all that?

CtN: My training gave me a lot of discipline, so I would only eat half a bag of uncooked fries a night.

LJ: Surely you could afford to set up your dojo somewhere else. What is it about this location that makes it ideal?

CtN: Well, there’s no rent, so that’s key. Also, a lot of people don’t realize there’s a lot of positive energy under bridges. That’s why so many people choose to live under them.

LJ: I notice that sometimes when I’m running on the Parkway.

CtN: It really is amazing.

LJ: And the secrecy, of course…

CtN: Exactly.

LJ: Do you use your skills for good?

CtN: Gonna hit me with that, huh? There may have been an occasion when I’ve had to kill a man. But I will deny it if anyone accuses me.

LJ: So you’ve killed one guy?

CtN: Maybe. We’ll just leave it at that.

LJ: So you killed him.

CtN: Like I said, it’s kind of a “maybe.”

LJ: Did he deserve it.

CtN: Well, it was after a party.

LJ: Was it even a “he”?

CtN: Don’t know. It was just some guy in mask who tried to pick a fight with me. Basically, I told him I was a ninja and he didn’t believe me so I had to show him. I may have bitten into his neck a little deep…Maybe. I started “Ninjas of Casper” soon after that.

NoC - Ninja of Casper

A “Ninjas of Casper” logo recovered near the interview site.

LJ: How many of you are there?

CtN: There’s a number of us…

LJ: One? Seventeen? Two?

There was a long, quiet beat in the pitch black.

LJ: Okay. What’s your role in the community?

CtN: We’re basically the guardian angels of Casper. We prowl the streets, help the cops. We’re volunteers.

LJ: Vigilantes?

CtN: Some might say.

LJ: What dictates the amount force one of your members can use? Is lethal force fair game? That’s technically illegal.

CtN: Yes, technically there is some legislation restricting the full implementation of our repertoire. In practice, it just depends how drunk we are on any one night. I don’t know if that’s the best rule because we have lost people. I’m not saying that they’re dead, and I’m not saying that they’re buried somewhere here in Casper. I’m not saying that at all.

LJ: You didn’t say that. So, what does the average citizen stand to gain from being involved with the NoC?

CtN: Most of my members have a complete resistance to mace.

LJ: Is your role primarily crime-fighting, or are you engaged in other social and community projects?

CtN: We produced and funded the Parkway Cleanup campaign. We also get together and watch “American Idol” every week. We’ve also done our fair share of picnics: we’re a picnic kind of people.

LJ: What do you pack?

CtN: Raw meat, of course.

LJ: So the people that you’ve trained — the Ninja of Casper — you’ve instilled the wolf background into them? They’re following your school?

CtN: Yes.

LJ: Have you made contact with your old wolf family since finding all this success out here in the human world?

CtN: Every once in a while I go out in the woods and take a crap, just to remember what’s that like. So, yeah, I keep in contact.

LJ: That’s important.

CtN: Plus, you don’t get to do a whole lot of that in the city.

LJ: It’s frowned upon.

CtN: It is. So I generally stick to rooftop craps. I still have to mark my territory. This is my city, and I will poop to prove it.

LJ: So, what’s your political orientation?

CtN: All I really know about politics is that politicians taste good. I mean……. French fries taste good….

LJ: ………

CtN: …I really have no political view.

LJ: How would the Ninjas of Casper handle the oil spill in the Gulf?

CtN: Some of us have been training underwater for some time. The idea is for a group to swim down there and wedge themselves in the pipe and create a barrier of men. But so far, in all our simulations, everyone’s died. So…. yeah.

LJ: Is it the air thing?

CtN: That’s one of the things we’re looking at. Apparently, swimming down a mile deep is… tough. And we’re used to the high altitude here.

LJ: You need like, reverse Sherpas.

CtN. Reverse Sherpa ninjas. That’s exactly what I need, but I haven’t been able to find those.

LJ: How do you meet women?

CtN: Well, bars are pretty noisy and gaudy. I prefer the intimacy and atmosphere of a dark alley. So women are usually surprised by me because I wait until they leave the bar before I introduce myself.

LJ: Does this work?

CtN: Well, Casper women are fast, I gotta say. You have to catch up before you can talk to them.

LJ: Then what’s your opening line?

CtN: I say, “Have you ever been with a wolf ninja?”

LJ: And what if they say “Yes”?

CtN: Then I say, “Would you like to be with another one?” And that usually seals the deal. Then I ask if they’d like to come back to the dojo. ‘Cause I would think, you know, as a woman, you’d wanna check out a dojo.

LJ: Is there any bedding around here?

CtN: We have plenty of cardboard. It’s amazing. You can use it for anything: bed, pillow, blanket…

LJ: Headboard.

CtN: Exactly.

LJ: And do you sprinkle leaves all over her like rose petals?

CtN: Sometimes they blow in through the window, and I just tell her that I did it. Cause, like “I’m a ninja, I can get leaves on you. No big deal.”

LJ: Ninjas are known for their… “quickness.” Is that a problem for you?

CtN: In terms of…?

LJ: Premature ejaculation.

CtN: I’m pretty disciplined, but that’s a whole other area. It actually gets brought up a lot at meetings. We all have the same problem: we can’t last more than 30 seconds.

LJ: Well, you’re meant to be efficient.

CtN: I think the raw meat has something do with it.

LJ: So, say it’s game day. The NoC have a mission tonight. What do you guys do to prepare? Do you listen to music to get pumped up or Zen out?

CtN: We listen to Britney Spears. We live off that. Because Britney knows how to be Britney. We know how to be ninjas. When she shaved her head, we shaved our heads. Which lead to us shaving our entire bodies. We found we moved a lot faster. It was unnatural for me as a wolf child. It felt weird, but I wasn’t getting as many ticks.

LJ: How about the game day diet?

CtN: We add little Jack Daniels to the raw meat. About a liter of it. Amazing how agile one becomes. The strength, speed, agility…. a lot of people just don’t get it.

LJ: So you load up on meat and booze and then you go do acrobatic vigilante justice?

CtN: It helps us to think clearer, too. It helps you to dispense with cumbersome social trappings and rely on your instincts. The day after the mission is usually when I go out to the woods to crap. It’s usually pretty remarkable. That way my wolf family knows…

LJ: That you survived another mission.

CtN: That I’m alive, yes.

LJ: In your time as a ninja, what’s the biggest injury you’ve sustained?

CtN. The biggest fall I took was off a 3-story building. I tried to land on my feet, but I landed on my kidney. So I bled internally… but once again, the Jack Daniels made the pain go away.

LJ: Do you ever lose your car keys?

CtN: Generally, I lose them every other day. But I try to discipline myself. When that happens, I don’t allow myself to watch cable TV.

LJ: Are you using the DVR?

CtN: Nope. That’s the level I’m at.

LJ: I think I’ve read that “ninja” is actually the plural form of “ninja.”

CtN: People do make that mistake. The ‘s’ is actually in there, but of course, it’s invisible. It’s “ninja.”

LJ: Makes sense. And finally, what’s your hangover food?

CtN: Twinkies. I’m not talking one or two. I’m talking boxes. And Gatorade. The body needs electrolytes and carbohydrates. Every athlete knows this.

LJ: Anything to add?

CtN: Feed the squirrels. Don’t neglect alleys or other urban crevices. That’s where the magic is. Converse with the elderly. Trust in the Lord.

And with that, the darkness blurred and the shadowy figure dove through a square-cut window in the cardboard, I scrambled out just in time to see him take a running leap at the bridge, clamp onto the metal I-beam with his teeth, and swing himself up and away into the night. I picked my way back through the shrubs, feeling safer than I had when I came in.

LJ.

The civilian identities of “Clint the Ninja” and the other NoC remain unknown. The extensive flooding of the North Platte in the spring of 2010 apparently washed away all traces of the dojo under the freeway, though a sodden life-size cutout of Britney Spears from her “Dream Within a Dream” tour was discovered with other river debris in a North Casper trailer park.

-Leviathan Joe breathes and sits in Casper, America.

Feature

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Stendhal Syndrome: Buckcherry – Confessions

Real records have two sides.

by Josh Smith & Jack Mueller

Jack Mueller: So, Buckcherry shit out another record.

Josh Smith: And here we are, forcing it into our ears so you wonderful people don’t have to.

JM: I have a confession for you, I absolutely despise this fucking band.

JS: Really? I never would have guessed! Seriously though, I don’t understand their appeal. They’re just a bad Guns ‘N’ Roses, Motley Crüe & AC/DC mashup under a croaky, nasal vibrato.

JM: Josh Todd and his shitty vocals are now dubbed: “The Crooked Anal Vibrator.”

JS: That’s much better. The guy has two first names, so you’re really doing him a favor.

Ladies and gentlemen, Josh Todd!

Ladies and gentlemen, allow us to introduce Josh Todd!

JM: He can thank me later. Now look, the appeal thing is pretty simple, people love songs about fucking and they love songs about partying and they love songs about apologizing for the partying and fucking, and they love those types of songs to be pooped out onto either mediocre bouncing beats or gushy ballads, so The Crooked Anal Vibrator and his band of merry douche bags have cornered a big chunk of the market on terrible music that people can’t get enough of.

JS: That’s a good point. And since all of the music resonates with that “hey, I know this song!” familiarity, it’s super easy for folks to latch onto.

JM: Is it familiarity or just theft?  Don’t get me wrong, there is some skillful guitar playing, but Confessions sounds like fifty minutes of Conan O’Brien’s Basic Cable Name That Tune where the band changes the song just enough so they don’t get sued.

Buckcherry - Confessions

Buckcherry – Confessions

JS: It really does, except for the fifty minutes part. This thing just drags on and on.

JM: Especially the ballads. Un-fucking-bearable, cash-grabbing, drunk girl-swooning garbage.

JS: They are pretty terrible, and really out of place. For the most part, these are upbeat songs that are just as catchy as the ones that made Buckcherry a household name, but they’re not nearly as syphilitic.

JM: It’s a feel good album, but it’s not bloated with booze and blow and skanks like all their older stuff. Somehow they swapped their old standby’s for weird moral tales and terrible Stuart Smalley affirmations.

JS: And since they’re not joking, this might actually be worse.

JM: It could be, but I’m not ready to go that far yet. The Crooked Anal Vibrator and friends have toned down the taint-rock to be all deep and serious, but all they’ve really managed to do here is scoop out a different flavor of shit.

JS: Dude, taint-rock? It’s perfect!

JM: I’ve been holding onto that one for a while, waiting for the perfect opportunity to unleash it. What better way to join butt-rock and cock-rock? I’m just pissed I didn’t think of it sooner.

JS: I really think it could catch on. Now that we have a fitting label for this style of rock, maybe more people will hear it for what it really is and it will go the way of the butt-rockers.

JM: I’d die happy. What were we talking about besides how fucking smart I am?

JS: The lack of partying on this record. It’s like they tried to pull off something different, but it just plops out like the seven deadly sins for dummies.

JM: More like “for fucking idiots” than dummies. It’s like The Crooked Anal Vibrator woke up from a 4-day bender in a pile of sedated, frightened goats and the movie Se7en was on in the background. I can just imagine the shit-eating grin on his face as it blew his fucking mind. These lyrics seriously come off like that was the first time he’d ever heard of the seven deadly sins.

Fuck yeah, bring on the goats!

“Fuck yeah, bring on the goats!”

JS: They do have that, “hey guys, check out this cool thing I just heard about!” vibe.

JM: Like he just found out about them, but is now trying to pass it off like he’s an old pro. Same story as every asshole who takes Psych 101 and all of a sudden they’re an expert on everyone they know.

JS: I think they pulled that stunt with the “concept album” declaration too. It’s got a theme, but for a concept album to work, it’s got to unravel a story. This is all tell, no show. Every one of the “sin” based songs is just a lazy explanation. It leaves absolutely nothing to the imagination.

JM: Except good songs.

JS: There’s just no grasp of the subject. “Lust” is probably the least lusty song in the Buckcherry catalog. That could’ve been their new anthem.

JM: Also, I didn’t realize that crying was a deadly sin.

JS: The Crooked Anal Vibrator covers all the usual mopey taint-rock staples like being broken and needing saved and a bazillion references to his “thoughts” and “mind,” but how many times can you mention crying over the course of a single rock record?

JM: Surprisingly, I only counted about ten. I noticed it right away, and once I stopped laughing about it, I started counting.

JS: I would’ve sworn it was in the twenties. I demand a recount!

JM: Count it yourself, I won’t put myself through that torture again.

JS: That torture is probably the most honest these guys have ever been, since The Crooked Anal Vibrator has been sober for 18 years.

JM: What the fuck? Really? The guy who “loves the cocaine” so much is just a weepy middle-aged sober guy?

JS: Yep. It’s all a sham.

Does this look like the face of a sober man?

“Will you still love me now that you know I won’t snort coke off your dong anymore?”

JM: Great, this band’s entire back catalog is 100% bullshit. And I thought I hated them before. Look, there’s nothing wrong with being sober. Some people need absolutely no contact with drugs and alcohol whatsoever, but if you’re sober and you spend all your time literally singing the praises of drugs and alcohol, you’re just an asshole. Buckcherry is not a band, they’re a fucking act.

JS: In the cheapest sense of the word. That being said, “Envy” might be the best track on the effort.

JM: Why, because every single lyric and every single riff is ripped off from another shitty song?

JS: With the exception of the too-stupid-to-actually-write line I hate it ’cause I envy him – yes.

JM: This song is a carbon copy of a pile of forgotten radio turds all mashed together and left out in the cold.

JS: That’s a terrible image, but I doubt the song will ever be described better.

JM: It will not. I almost made a graphic to show who actually wrote all those lyrics, but I’m too lazy. There’s a pretty good joke about the title in here somewhere, too.

JS: It fits a little too well, which brings us to “Sloth.”

JM: “HEY YOU GUUUUUUYS!”

JS: I wish we were talking about that Sloth. Buckcherry should really apologize to the Goonies icon for soiling his good name.

JM: Yeah, that tune is a piece of drab shit.

JS: I was listening to this song for the first time, just shaking my head wondering why it was even a song at all and I decided to do some research. Turns out this cliche-filled, pants-pissing little cornball of a groan-fest is actually about how Todd’s dad committed suicide when he was ten.

JM: Wow. If someone else told me that, I’d call bullshit. It sounds like he made up a suicide story on the spot and farted it into a microphone.

JS: Yeah, he really missed the mark on this one. I mean, this is a massive tragedy that he’s been hauling around for thirty years, but the song comes off with the all the weight of a song about a hooker he once met. It’s like he’s still viewing the whole thing from a child’s perspective.

JM: Attention, old men of the world! Someone please go be Josh Todd’s dad for a while. I know it’s late, but he really, really needs a dad. Really.

Josh Todd really needs a dad.

Really.

JS: I suppose it explains a lot of his lyrics and the tough-guy posturing.

JM: Oh, so you’re that Psych 101 asshole! But no, money and girls explain the tough guy act. There is no excuse for these lyrics though.

JS: I’ve never written down this many to recite during a review. This verse from “Greed” gets me laughing every time:

I never change my point of view / I’m a cold mother fucker that never gets screwed / But I will screw anybody else / Who tries to take what is mine because I hate myself.

JM: I don’t do notes and I wrote a bunch down too. Check it out, if you put all this shit together, it makes a really bad KISS song. Or, nope, actually it’s the script to a terrible porn flick. Brace yourself.

Hey, man / Do you wanna get a fist so hard?

I will screw anybody else /
Who tries to take what is mine because I hate myself

Stay alive until you die

If it gets harder I can last longer

You can do to me what I do to you

And you reign because you know how to get it inside

I want this bad behavior to be buried in a ditch /
Where strangers can just pull aside and soak it with their piss

Getting fucked is what you’re after /
And the money’s what you need

You can never turn away when you fly so high /
But you might as well stay, there’s no limit to the sky

And of course every lyric to “Envy.”

JS: Ugh. That was… I think I’m gonna puke.

JM: That’s just the booze, this album doesn’t have that much impact. But to be honest, I’d rather listen to this one than any of their other albums.

JS: Agreed.

JM: But I’d rather eat a used tampon than listen to this shit ever again. This album gets 0 out of 7 Deadly Syphilitic Weiners. Fuck this album and fuck this band. Mic drop, I’m out.

*Clunk*

JS: Jack? Haha um, Jack? I guess… he actually dropped his phone and stumbled off, so… I’ll give it 1/3 out of 7 Deadly Syphilitic Weiners. Until next time, kids!

 

If you absolutely must own this album, please consider purchasing it from an independent record store.

Jack Mueller is an asshole in real life, too. Follow him on Twitter: twitter.com/ShutYerBandHole
Josh Smith wrote a novel about paranoia, corporate hitmen, and music called Suffocate City. He can be found at: facebook.com/synonymouswithanonymous

Tin Shack

by Nikki Moen

Always he brought a new girlfriend – as she brought a new man – to each party, each drunken gathering. She frequently ignored his presence, although their mutual friends were constantly calling to him for his twisted insight. His exploits were a popular topic. On occasion, she let slip that she disliked him, but it never seemed to phase him in the slightest.

Almost from the moment they met, they had been at each others throats. He was an oil rig worker who dressed almost dapper, with his hair a constant mess and his young-looking face full of slight sneers, and she hated the fact that she was attracted to him. They seemed to have almost nothing alike in their personalities, and the first night at the Tin Shack years ago seemed almost mystical to her as she looked at him now.

“You do like it though,” He said, and grinned.

His upper teeth were slightly crooked, and somehow that made him simultaneously appealing and antagonistic, and she was sick of this debate.

“You always come up with the same shit. You always make that same muted fucking point, over and over, and it’s not even based on fact.”

“Its just my opinion.” He said.

“Yeah, well, your opinion doesn’t count for shit.”

“I think it does a little. I think it bothers you that I think that way about women because that means I might not be attracted to you. Am I right?”

“That has nothing to do with anything, especially not the fact that you have a sick preference for..bean…pole…twig…skeleton women with flat chests, its how you seem to think that should be the standard for all of us, when obviously that’s impossible.”

He started to laugh and shook his head, saying she had misunderstood him. Even at that, he didn’t seem to care. He stood up from his seat and crossed to the bar, still laughing, as she pretended not to be disappointed. She pretended to look anywhere but at his beautiful retreating frame, almost as smallish and petite as her own.

She got up as well, steering herself to the barely lit ladies restroom through the heavy smoke that filled the place. Her thoughts were on the tattoos on his hands, and the size and shape of his hands themselves. This was something that made it hard to go about her business, and as she looked up to the framed pictures on the walls her eyes settled on a series of dusty lithographs. She recognized the pictures from old fairy tales; three scenes about a fox and a rabbit.

“Why are you eating me, Mr. Fox? You promised you wouldn’t,” she muttered to herself as she swung open the bathroom door. “Because I am a fox, Mr. Rabbit.”
With that she wobbled slightly on her feet, laughing. She caught herself and turned to shut the door, only to see him watching her from the bar.

It was past midnight before she looked around, beyond the immediate nucleus of their arguing twosome. They had long ago moved from the table to the stools to continue the age-old conversation, and she suddenly realized that their companions were no where to be seen.

“Why did your date go?” she asked him.

“She left with your bloke, don’t you remember? They looked pretty peeved too, what with all the glares and such,” he said as he tipped back his bottle. “Not a second too soon, either. He seemed to be kind of a twat.”

She blanched, then started to smile in spite of herself.

“Yeah well, don’t get too uppity there, you with your St. Pauley girl.”

“Hey, a St. Pauley girl isn’t half bad.”

“‘Tis half bad been you’re half her height!”

“Hugging a girl twice your height ‘tisn’t half bad either!”

He was smiling into her eyes as well as into her face, and she grew delirious. She supposed her date had no interest in her any longer now, and at any rate, she didn’t care. It had been years of disliking this man while attracted to him, and now he was finally showing interest in her.

“I’m just a bad man, I guess.”

“Ah, you’re not so bad.”

He looked at her and smiled, then scooted her and her stool closer. “You don’t think so? After ever-y-thing you know about me? Not a bad man?”

“Hold that thought. Let’s get a few liquors.”

“I think there has always been an attraction here. Like I’ve always known you.”

“You haven’t always known me. I only moved here five years ago.” He placed his hand on her knee. She felt almost shivery now, and transparent, as if everyone in the crowded, noisy bar could see them. As if everyone in the Tin Shack could see her thoughts.

“Yeah, ‘cause your family was here before you,” he said.

He was still looking at her. She finally made eye contact, and smiled. “Yes, there’s always been an attraction here.”

Two hours later, they headed out to their cab with arms linked. He helped her onto the leather seat before sliding in beside her.

“Third and Main,” he said to the driver, as she caught her breath.

“Hey.” He whispered to her.

“Hey.” She whispered back.

“Remember that girl, Monica? That one I really fancied a few years ago?”

She stiffened for a moment. “Yeah?”

“You told her not to date me. You warned her to stay away from me and told her some stories, right?” His face was slightly dark.

“Yeah… well, I feel bad about that. I didn’t know that you really liked her.”

He looked at her a moment longer, then smiled. “I think it’s because you wanted me all for yourself.” He whispered. Turning her face toward his and kissing her, slowly, with his hand stroking her cheek.

Once they were inside his home, he pulled her to him with more force than men usually used with her. He kissed her and smiled in the moments in between, and looked at her as she trembled, as she tried to hide that she was trembling.

He slid off her shirt and then her bra, and bit her shoulders slightly. He pulled off his shirt and pressed their bodies together, pulling her underneath him. His tongue slid up her chest, and when he heard her heavy breathing, he did it again. She watched him, amazed, as he kissed her all the way down her body, down to her stomach, and let him slide off her pants. He bent her legs at the knees and opened her thighs.

“Um, you don’t have to do that.” She insisted.

He paid no attention to her words or slight evasive movements. Several times, she tried to pull him up, but to no avail. She was embarrassed, but even more excited, and could think of nothing but the fact that she was there in the room with him, in this position. His mouth was everywhere, his eyes closed. She pushed his hand down between her legs as well, but it didn’t seem enough.

“But… but I want you.” She said.

He rose up on his knees and looked at her, and his eyes seemed glassed-over, far away. He began to undo his belt, and then pull himself out. She almost began to protest as he lifted her body up from the bed and onto him.

She took in a breath sharply, but he exhaled. His embrace was almost as tight as a vice, lifting and pushing into her as he was. His breath was in her ear. He laid back down and gripped her hips, grinding up into her, pulling her back and forth. The friction of her against his skin caused her to place her hands against the wall.

“I can’t believe… I can’t believe this is happening.” She gasped.

He looked up at her face and half smiled.

“Especially..since…since I am your cousin.” He replied.

He watched her eyes widen in shock, and again an instant later as she came. He gripped her hips tighter to him as he felt her muscles contract.

-Nikki Moen has been writing for Bedlam for 8 or 9 or some such number of years. Nikki is called Nikki and never Nicole, on purpose. She lived in Wyoming before she made several mad dashes away and one finally worked. She now lives where it is wet, green, misty, and evil things grow with the moss. This means she is living under a bridge at the port, where she eats raw fish with a great horde of crazy unwashed, of whom she is the leader. They have formed her a crown of old rusty cans of kipper snacks, which explains how she is able to tune into alien frequencies.
-Originally published in the Spring 2009 edition of The Bedlam Reader

Explosion

by Kate O’Hara

I get to watch the sun rise as I walk to work, although usually I am trying to shield my eyes from the light. I always think, “There will be another one just like it tomorrow.”

I work in a kitchen chopping food with a woman named Tina Marie. She wears corsets underneath her polo shirt uniform and has long orange hair and long pink nails. She chops with me at the restaurant and then walks up the street to The Hole where she tends bar. It used to be called The Watering Hole but the building has fallen into disrepair and its patrons unconsciously shortened the name. Some days I walk over there when she’s working. She is a good bartender and gives me free red beer and always makes sure that I have celery salt, pepper, and olives. Sometimes when she is the middle of talking to a customer or pouring drinks, she looks over at me and winks. She smiles at me for several minutes before she finally comes over and says, “I got something for you.” Then she disappears from behind the bar.

The first time Tina Marie had something for me I thought she had brought me a present. I chugged my beer and went to the restroom. “Lock the door,” she told me. “Come in here.”

I opened up the stall and found her sitting backwards on the toilet herding a line of powder into shape on the toilet tank with a matchbook. “Take this,” said Tina Marie.

The yellow line tasted like metal. “There you go, bitch,” Tina Marie said as she left the bathroom. She always says things like that. “You’re now a fucked-up bitch.”

The first time she called me bitch I thought she was upset but, a few minutes later, she smiled at me and poured me another beer.

I sat in the stall reading all the messages before going back to the bar and taking shots of Wild Turkey with a 17-year-old girl who, by the third shot, convinced me that I needed to go with her to Church the next day. I told her I would meet her there but I didn’t.

When Tina Marie doesn’t have to work at the bar, we usually go visit my landlady, Mary Lou. She lives downstairs from me and keeps the Old English whiskey under the sink next to the ammonia and Pine Sol.

At five o’clock her other guests start to arrive. They come daily for Friday afternoon club. Everybody brings drinks except me. Mary Lou buys wine for me. Once I was drunk and described a fine taste to her. Ever since, she wants to hear the descriptions but she never drinks the wine. I told Tina Marie about a bottle of wine I had once that tasted like oranges and coffee. She just smiled at me and said, “Fuck you.”

Tina Marie makes my landlady’s drinks. Mary Lou holds out her empty glass when she is ready for a refill. Before Tina Marie was around I made Mary Lou’s drinks. I would empty the ice tray into the ice bin and then refill the tray with water so there would be enough ice to last the night. Then I refilled the flass with whiskey and topped it with water. Mary Lou always said I made it wrong.

“There’s just two ingredients, right?” I would ask.

She would put down her cigarette, fumble off her oxygen mask, and sniff the drink, trying to detect whiskey fumes. The drink was then passed around to see if anyone else could taste the whiskey. After each person sampled the glass they would say, “Oh, this is a good drink,” or “It tastes good to me, but what do I know about whiskey?”

Mary Lou would take the drink back, saying, “Well, I do know about whiskey and this is a weak drink.”

If Mary Lou was really drunk, she accused me of thinking she was too drunk. “Carol thinks I’m too drunk, everyone!” That’s okay, I know you are looking out for me, cause I’m drunk. Say, Carol’s a Bill Clinton fan. You’re a Bill Clinton fan, aren’t you? I just love him.”

Now Mary Lou drinks the whiskey and water poured by Tina Marie and says, “Oh, this is perfect! I am so glad you are a real bartender.”

I still refill the ice trays and put them back in the freezer.

One by one, her guests leave. They go to the bars to two-step with each other listen to a blues band that plays every night under a different name. When Tina Marie leaves, she says to Mary Lou, “See ya later, Respirator. Don’t explode on us, bitch.”

Sometimes I go and dance with Tina Marie. She gets keyed up when I dance because she thinks I look bad. I try to look artistic when I dance. “You are such a dork,” she tells me. I tell her she looks like a stripper. She does, too. She takes her shirt off and dances in her corset.

On some nights, after everyone goes dancing, I stay with Mary Lou and fix her drinks. When it is just the two of us, she asks me, “Do you know about my son Johnny?”

I nod.

“He was my youngest. He was my baby.”

I listen to Mary Lou bawl, wanting to hold the hand already occupied by a cigarette or at least catch the falling ashes. “Johnny was an artist. He was so good. Everyone loved him.”

As a teenager, Johnny had been shot and left for dead by a man he had befriended a week earlier. He recovered in a hospital and then moved away to the west coast with his best friend. A year later he shot and killed his friend and then himself. Everybody has a theory as to why. Soon after, Mary Lou had her first heart attack. When she got out of the hospital, she tried to kill herself, but her daughter found her and rushed her back to the hospital. After telling this story Mary Lou, exhausted from grief and no longer noticing me, takes out her teeth and cries until she falls asleep. I cover her with her blanket and put the teeth in their glass in the bedroom. Sometimes her wig falls back on her scalp and I put it on and finish the wine and any cigarettes left burning. She sits sleeping—bald, toothless, swaddled. Occasionally I sing her lullabies; I try to make them as sweet as I can.

More often I just listen to the soft breathing of the oxygen tank and consider the possibility of explosion.

Stolen Image Comics: Buckcherry

Stolen Image Comics

Stolen Image Comics #2

Swordplay & Love Songs

by Josh Smith

A mighty Wizard surveyed the lands spread before him from atop a hillock. A slight breeze passed over him, sending a soft current through his shimmering silver hair and flowing robes. The gentle winds were of no concern to him, his gaze piercing their advances. So absorbed in thought was the Wizard that he failed to notice the massive Ogre striding up to his side until it spoke.

“Hey, Archie.”

“Huh? Oh. Hi, Billy.” The Wizard distractedly replied.

“Haven’t seen you at the shop all week, whatcha been up to?”

“Nothin’.”

Perplexed by the Wizard’s absent behavior, the Ogre offered up a change of pace. “Wanna go on a dungeon raid?”

The Wizard was unmoved. “Nah, I’m just going to wander around and level up for a while.”

“Dude, you’re a healer. It will take you forever to get anywhere by yourself.”

“No duh. Welcome back to Earth.”

“When are you gonna-”

“Spaceman.” The Wizard hastily added.

“What?”

Obviously, his wit was beyond the spectrum of the feeble-minded Ogre. “Nothing, jeez!”

“Whatever.” The Ogre was not concerned with such wordplay, only action. “When are you gonna come back and battle for reals?”

The Wizard expelled a long, weighty sigh that rippled down his glorious beard. “I don’t know. Is she still hanging out?”

“Well… yeah, sometimes. But so what?”

“Apparently Ogres have no capacity for love.” the Wizard grumbled under his breath before breaking into mockery. “So what? She broke my effin’ heart, that’s what!”

“You need to ease up on the Red Bull, dude. For reals.” The Ogre’s concern for his old friend grew. “I bet you haven’t even left the house since Friday, have you?” The Wizard fixed his eyes on the horizon, leaving his magical garb to deflect the question. “You could’ve at least answered your dang phone sometime.” The Wizard remained silent. “Ugh! I had to log on just to talk to you, dude; the least you could do is tell me what the crap happened.”

The Ogre’s attempts finally penetrated the Wizard’s mystical barrier of silence, so he agreed to let the tale pass his lips.

***

Some weeks back, Archie and Billy were positioned in their customary seats at opposing ends of a miniature battlefield spread with Orc, Goblin and Elven warriors. The field – a large slab of plywood covered over with miniature landscaping – spread nearly the entire space of a low-lit shop whose walls were lined from bottom to top with unclaimed armies and scenery. The shopkeeper, a middle-aged man named Newton with a patchy beard and a belly rivaling that of a woman seven-months pregnant moved from behind the register for a closer look at the action.

At one end of the field sat a short, fair-skinned fellow with a puff of wiry red hair. He raised a green di with black dots, commanding the army of intricately detailed miniature Orcs and Goblins set out before him.

The shopkeeper felt the rush of battle overtake him. “Oh, splendid roll, William.”

“Yeah, nice roll, Billy. I’m shaking in my level thirty-two Enchanted Boots.” his opponent fired from across the table. A narrow boy with narrow black hair to his jaw line shot a narrow glance across the battlegrounds, itching to set his army of High Elves into motion.

Dice and ornately decorated tape measures flashed across the table between the opponents and their striking soldiers. Mothers were insulted, inhalers were pumped, rulebooks were quoted from memory and Newt spat crumbs every which way in gleeful fits.

Advancing his Orc frontline into a deadly position, Billy snarled, “How in the Shire do you expect to face Susan with that army of sissies? For reals, Arch, your skills are so junior high.”

Archie was struck by level nine Paralysis at the mere mention of that name, completely disregarding the insult. “Dude, Susan can beat me any time she wants.”

Newton fell into a convulsive laughter, speckling his unkempt beard with a hail of partially chewed cheese puffs.

“Dude, gross!”

“For reals!”

“Besides,” Archie continued, “I’m just… so… amped I actually get to play her.”

Battle.” Newton corrected between fistfuls of orange puffed corn. “Susan will undoubtedly slay you with great ease. Your entire strategy has more holes than thirty-year old underpants.”

“Aw, come on! You’re grossin’ me out, Newt. But he’s right, Arch. You are gettin’ slayed. For reals.”

“Whatever, toads. You’re just jealous that I get to play, er… battle her and you don’t.”

“Well that is no concern of mine,” Newt reminisced, wiping bright orange trails down the front of his already stained T-shirt, “of course you recall that I have already faced her in combat.”

“Don’t remind me.” groaned Archie from behind his dwindling forces.

“I’m sure you will also recollect that my campaign was victorious.”

“Yeah, you remind us every stinkin’ day, Newt. We get it, you beat a girl.” Billy slid a troop of Goblins in for the kill.

“Sheesh, Billy! Yeah, Newt, what’s so noble about beating a girl anyways?”

“Well, for starters, she is not just any girl.”

“You got that right.” Archie said, giving way to defeat and marching his fighters headlong into certain doom.

“Oh, poor, naïve Archibald. It is so obvious, yet you remain painfully oblivious. Your crush – all of our crushes – stem from one simple fact. Susan is the only female who has ever entered upon these premises by her own free will. Not even Mother comes in here on her own, so logically your fondness for her is, like our own, instinctive and animal.”

“Yeah,” Billy chimed in, “and she’s probably the only girl you’ve ever even talked to.”

“That’s so not true.”

“No, but I’ll bet you my giant” Billy signaled to a fierce looking warrior that towered above the others, “that she’s the only one who’s ever talked back.”

“OMG dude!”

“WTF? Chicken?”

Newt pondered the dare, declaring, “That is perhaps the most audacious, most extravagant wager ever proposed in my ownership of the Troll Hole.”

Archie was shocked. “Dude, are you serious?”

“I bet you my giant that no other girl has ever willingly continued a conversation with you.”

“Shiitake mushrooms!” Archie seceded, “You totally owned me there. Unless… girls I’m related to don’t count, right?”

“And the motha’ fluxin’ giant remains by my side!”

“Somebody once said, ‘You’ve got to know when to fold them-’”

“Dude. Newt.” Billy’s right eye began to twitch. “Kenny Rogers. Seriously? The Gambler. Best song ever. For reals.”

“I don’t care what you guys think about me and Susan-”

“Susan and I.” Newt corrected.

“Whatever, I don’t care what you think, Susan’s my dream girl and I’m not just a flippin’ ape chasing her around and someday I’m going to go out with her. She’s amazing.”

“She is quite a magnificent specimen.”

“Don’t talk about her like she’s a bug or something, Newt!”

“My apologies, I meant no offence. You know I enjoy her company.”

“I know. It’s just that she’s so… she’s spectacular! I like everything about her. I even like her lisp.”

Billy spawned quizzical look, “Her lips?”

“No, her lisp. You know, how sthe talksth like sthisth.”

“Oh, right.”

“She has what is called a lateral lisp.”

“What? Why would you even know that, Newt?”

“Mother is afflicted by it as well. I’ve read up on it extensively, it is caused by-”

“I don’t care what causes it,” Archie interjected, “I just think it’s… well… hee hee.”

Billy was on the edge of his seat, warfare’s fury having long since been supplanted by the zeal of a budding romance. “What?”

Archie wore an embarrassed half-smile and lowered his eyes toward his remaining Elves. “Sexy.”

They shared a hearty chuckle before Billy’s impish impulses overtook him. “Doeth thith turn you on, sthweetheart?”

“Ha ha, indeed! I notished that your Wishardsh all bear shilver beardsh.”

“That’s pretty good, but not quite right, Newt.” Archie cleared his throat, “I sthtrolled down to the sthop to sthee how you guysth were posthisthioning your stholdiersth.”

“Dang.”

“Wow, Archibald, that was nearly perfect. I thought Mother had joined us. I mean, I sthought Mosther sthopped by to sthee her sthpesthial sthon!”

When Billy caught his breath, he made another attempt. “I came down to the Troll Hole to join a battle and… aw, crud.”

“Yeah, you uh… need some S’s in there for it to work.”

“Hey guysth!”

“Whoa! That was it,” Archie exclaimed, “the exsthra sthaliva makesth it-” Billy went more pale than usual, as though his army had gone up in flames. With bulging eyes, he signaled for Archie to look behind him. “Oh, h-hi Sthusth- Susan.”

His face was so flush it caused physical pain, but it was no match for the sheer agony of having to look her in the eye at that moment. There she stood, long brown braids over her shoulders that slouched forward, curving her upper back and accenting her belly ever so slightly. Archie was mesmerized by the smooth “S” shape she became when viewed from the side. His gawk extended long enough to arouse her suspicions.

“Whasth the matter, Artschie? Billy sthompin’ your bunsth again?” No one was sure whether she was ignorant, playing dumb, or had simply not noticed their mockery.

“Y-yeah. Yeah, he’s really giving it to me today. I’ve got to get my act together if I’m going to stand a chance against you.”

“You have certainly got that right, Archibald.” Newton fumbled to open another bag of his cherished off-brand cheese snacks. “After today’s thrashing, I will share a selection of my personal Elven tactics. Perhaps I shall even suggest some additions to your overwhelmingly Mage-based militia.”

“Good thing, dude. Susan doesn’t lose very often. For reals.”

“Aw, sthanksth, Billy. But I sthink sthome of thesthe guysth justh let me win.”

“Oh, no way, Susan,” her admirer stared deep into her eyes from the ruined battlefield, “you remember Seth? He almost had an aneurism while you were kicking his sorry butt.”

“Yeah, I guessth. Sthesth wasth sthure a fiercsthe competitor.”

Billy stifled a giggle, shifting it into a feigned cough. “Yeah, Seth is tough. He beats me every time.” He could already see orange foam escaping from the corners of the tickled merchant’s mouth. “Newt! Not funny, for reals.”

***

In the dwindling hours before sunrise, beneath purpling clouds, amidst feral, bloodthirsty beasts, the Wizard and the Ogre converged en route to a secluded cave, deep within an ancient wood. The Ogre hacked down everything in their path while the Wizard cast spells to aid his ally and conjure storms of acid over their foes.

“Are you super pumped about your match with Sthusthan?” The Ogre slurred.

The Wizard was not amused. “Sthop… stop that.”

“Dude, I can’t. I’ve been Listhping pretty much nonsthop for the lasth week.”

“You have issues, man.”

“No, I’m tellin’ you, it’sth really fun. I ordered a sthandwicth like sthisth yestherday, it was hilariousth. You sthoulda been there.” The Ogre lost himself in the moment while the Wizard drifted through another, casting a magical barrier around himself. Demonic hounds gnashed furiously, seeking blood, finding nothing save some broken fangs.

“Mm hm.”

“Dude, what’s the deal?”

“I don’t know, just nervous I guess.”

“Don’t be nervous, man. I know it’s easy to say and stuff, but this is probably the best thing that’s ever happened to you. There’s no better chance to get to know her.”

“That’s why I’m so nervous.”

“Yeah, but-”

“Dr. McCoy.” The Wizard continued.

“What?” The ogre inquired before severing the head of a grotesque attacker.

“Nothing. What if I say something stupid, what if she totally stomps me, what if-”

“Enough, Arch. Jeez, man. You’re gonna make yourself more nervous than she ever could.”

The Wizard heard truth in the Ogre’s statement and immediately teleported them from the fray to further discuss the predicament. Brutes lashed out at thin air, assumed their foes vanquished and crept off in search of fresh flesh.

“So what should I do?”

“Well, you gotta let her know you’re a real gamer. The new recruits will help.”

“Yeah, they seemed to do pretty well against you the other day.” The Wizard fondly recalled the recent triumph over his friend – the first in months.

“Whatevers,” the Ogre flared his already gaping nostrils, “that was just… beginner’s luck or somethin’.”

“Dude? How long have we been playing together? That is so not valid.”

“That’s not what I mean. I mean, your new guys and, you know, Newt’s help, and-”

The Wizard halted the Ogre’s fumbling, “Just stop, man. I toasted you.”

“I wouldn’t go-”

“Rye.”

“What?”

“Toasted. That’s all you need to know.” The Wizard proclaimed with confidence, waving his majestic staff though the forest air.

“Whatever, I’m pretty sure Susan’s gonna beat you, even with the new guys. I’m glad you expanded, though. I was afraid you were gonna start cheesin’ on me with all those Mages.”

“I like Mages.” pondered the Wizard.

“I know, I know.” The Ogre grinned. “Now, what are you gonna talk to her about?”

“I don’t know, what kind of paint she uses?”

“No way, dude. The game is right there in front of you, you already have that in common. There has to be something else. Comics or MMORPG’s or somethin’.”

An elegant Elven woman ran through the trees nearby, her graceful movements and slender physique instantly brought Susan to mind. He felt a tingle as he imagined the object of his affection masquerading as some mysterious and fantastical creature. The possibility that she could be somewhere nearby, in this same digital fantasy world, that they might someday go on a quest together shifted his outlook entirely. “Yeah, ok. You think she plays MMORPG’s?”

“Well, you’ll just have to ask her.”

“Thanks, Billy. Seriously.”

“No prob, man. Now, you ready to pwn some noobs?”

“Eff yes!”

The Ogre and the Wizard tore from their shelter in the trees, storming the cave like a voracious pack of mutant boars on fire.

***

Archie rampaged around his small apartment, whirling and flailing his arms like a lunatic newly escaped from a straightjacket. He only had a short time to prepare for the big match against Susan and he could not be late. An eighties station blared over the radio as he gave up the debate between a vintage Intellivision logo T-shirt or a light blue button-up, squirming into the former, then the latter. As he gave his hair one last check before gathering his army, a familiar song came over the radio. He began tapping his foot off the beat before he even realized what it was.

We are young,
Heartache to heartache
We stand

Archie was floored – “Love is a Battlefield” by Pat Benatar.

“O…M…G… It’s a sign!” He whispered aloud before romping through the remainder of the song, singing the chorus at the top of his lungs and mumbling his way through the verses. As the music faded, he noticed the rate of his heartbeat. One last trip to the bathroom for an extra layer of deodorant and he was out the door to face his beloved in combat.

“Archibald, Marvelous!” Newt greeted him from behind the counter. “I’ve been waiting rather impatiently to inspect the final detailing on the new additions.”

“Hi, Newt. I think you’ll like them. I pretty much stayed up all night painting.” The bags under his eyes were darker than usual, but he carried the two large briefcases containing his army proudly, despite the evident strain they caused his slender frame.

“Well, come now. Present them, I can wait no longer.”

“K, hang on.” Archie lugged one of the cases onto the countertop and snapped open the clasps, revealing the new additions among his Elven troops.

“Oh my. Well done, Archibald. You’ve certainly exceeded my expectations – and you would be wise to note that they were not low to begin with.”

“Um, thanks, Newt. I just hope she likes them.”

“She will adore them.”

Archie’s nerves were abuzz, “But the paint job can only get me so far.”

“Hmm,” scratching at his beard, the fuzzy trader considered this concern deeply before submitting his wisdom, “second base at the very least, I’m sure.”

“Newt!”

“I’m being serious. I once posted pictures of my Dark Elf army on a gaming forum and not one week later I lost my virginity.”

Archie moved his cases toward the battlefield, unconvinced. “Spare me, Newt. I’ve heard that story a million times and I still don’t buy it. Plus how bad did she want you when you brought her down to your Mom’s basement?”

“You’d be surprised what some women find attractive, young Padowan.”

“Whatever, you’d have a better chance of getting laid in here.”

“Well, at-”

“Tuber.”

“What?”

“It’s a metaphor… never mind. You never get my jokes.”

“At least I’ve been ‘laid,’ as you so coarsely put it.”

“Well I hope so, you’re older than me and Billy put together.”

“Yes,” Newton calculated the figures in his head, “but just barely. Will he be joining us this afternoon?”

“No, he said he’s going to let me fly this mission solo. Plus it’s his grandma’s birthday and he has to bake her a cake.”

“Ooh, I hope he brings me some batter!”

A bright light thrust into the dim room, the sun’s reflection from opposing windows just as Susan opened the shop door.

“Hey, Newt. Hello Artschie.” Level sixteen Flash. They froze in the shocking beam, trying to peer through, despite how it stung their eyes.

“Why hello, Susan. Archibald was just showing me the intricacies on his new Elves.” Newt said while Archie fumbled to find words through the angelic vision before him.

“Oh, sthweet! Let me sthee ‘em, Artschie.”

“O-okay.” His first sounds were quivers to match the motions that presented his masterworks.

“Holy flippin’ stheep, Arcsth! Sthey’re gorgeousth.”

Archie took a deep breath and cracked a smile. He had surpassed the first obstacle. “I’m glad you like them, I worked really hard for y- for like a week… on them.”

“Oh, it sthowsth. I love sthe sthading on your horsthes. And sthe detailsth on sthe armor on thesthe sthwordsthmen isth sthunning.” She spoke at such a pace that she was even more difficult to understand than usual.

“He did an unparalleled job, did he not?” Newt commented after a moment of deciphering. “You two get positioned. When you are ready, I have something of a surprise for you.”

They did as the eager merchant suggested and arranged their forces across the topography. Archie’s High Elves stood out below the soft lights of the Troll Hole with their flickering silvers and sparking blues, but Susan’s battalion was striking in another fashion altogether. They were Warriors of Chaos in both name and appearance; monstrous beast-men with horned helmets, barbed armor and weapons larger than many of the soldiers in Archie’s company. He was intimidated, but just as excited that the battle was about to begin.

Newt examined the table. “Are your troops at arms?” Finding it satisfactory, he produced a small velvet bag from the pocket of his discolored jeans. The competitors knew immediately what it contained.

“Newt! No way, man. We couldn’t.”

“Stheriousthly, Newt. Your lucky dice?”

His eyes gleamed from behind glasses that magnified them twice their size. “You are two of my most cherished companions. It is only reasonable that on your first soirée you use these treasured game pieces.”

Archie had never actually seen these dice in play; the set only seemed to come out when Newton was feeling particularly boastful. “I… I don’t know what to say, Newt, but if you insist-”

“Yesth! Sthis isth stho awesthome of you, Newt!”

The streak of a smile split the gaming guru’s beard. “Splendid. My only request is that I am allowed the initial roll. Archibald, you arrived first, so one through three will grant you the opening play. Susan, you are assigned four through six. Any objections?” They shook their heads, eager to see how the first legendary di would land. “Excellent.” He slid one of the cubes from its veil to a pair of gasps and gave it an enthusiastic shake before slinging it out to jig about the terrain and decide for itself the fate of the impending war.

Battle axes and swords clashed, firing sparks around their wielders. Arrows found their way to shields, helmets, bones. Armor-clad steeds trampled unworthy foes only to be cut down by mighty blades. Great eagles challenged spiny dragons for control of the skies. Ogres and Trolls crossed steel with Elven adversaries. The grounds were wet with the blood of the fallen, but the forces above – these warring gods – found themselves moist with other fluids.

“Newt, I’m sweating my face off in here, can you turn the heat down a little?”

The shopkeeper took a moment in returning to reality. “Hmm? Oh, yes of course. I was so deep in the battle that I had failed to notice these disagreeable conditions.” He rose up from his side view of the combat site and adjusted the thermostat. “I’ll crack the door for a moment as well. We should be back to normal in no time.”

“Thanksth, Newt.” Susan said as she made a momentous roll, checked her tape and commanded a dragon to wreak havoc on Archie’s tattered company.

“Jeepers, that behemoth is ferocious! It wasted all my guys.”

“I had troubles with that pesky creature when Susan and I faced off as well.” Newt recalled.

“Sthe’s my sthecret weapon, I call her sthweet pea.” Susan giggled over the devastation below.

“Well, Archibald,” Newt surveyed her handiwork, “it appears as though your conquest is doomed, but it was a valiant effort, indeed.”

“Yeah, well it was way fun either way.” He stood and extended his hand across the table. “Congratulations, Susan.”

She reached to accept his sporting gesture over the arena but was interrupted just before their hands met. Archie recognized her ringtone song immediately and felt his heart rate double.

We are strong,
No one can tell us we’re wrong

“Hey you! Yesth, I’m justh about finisthed. Yeah. Five minutesth. K. Sthee you sthoon sthweetie.”

“Was that your mother calling to collect you?”

“Not sthoday, Newt.” Susan blushed before a fit of giggles and nervous smiles bounced from her mouth. “Sthat wasth my boyfriend, Sthebasthian.” The look on Archie’s face went from delighted to defeated as she scooped up her victorious warriors and shuffled them into her bag. “He’sth a LARPer!” She shot her anxious hand into the limp hanging flesh that was Archie’s, “Sthanksth for sthe matsch, Artschie. Sthee ya, Newt.”

She cackled her way through the door, leaving behind a wave of bewilderment. They watched through the storefront window as she swayed on the sidewalk to silent music.

Archie plummeted back into his seat.

“Oh, Archibald, I had no idea she was courting.”

“How am I supposed to compete with a guy like that? He’s an athlete, Newt. A real man.”

“Come now, if I recall correctly, you are a mathlete, that has got to count for something.” No response from his defeated compatriot. “At any rate, it will never last. Those LARPers are troublesome, they disrespect their women just as the barbarians they portray.”

“That… that was supposed to be our song.”

-Josh Smith wrote a novel about paranoia, corporate hitmen, and music called Suffocate City. He can be found at: facebook.com/synonymouswithanonymous
-Originally published in the Spring 2009 edition of The Bedlam Reader

The Courtship of Agnes Kildred

by R.S. Courier

I sit on the gentle sloping hill idly gazing at the flowing honey golden fields of wheat flowing to and fro like the ebbing sea. She sits beside me, docile as a Hindu cow, timid as a newborn lamb. Her gown glowing with the starch white essence of gossamer’s sheen.

She sees me not as myself but as one from the decade of war, Jerries, Liberty steak and Holocaust. In her soft flinting cosmic eyes, I am tall, young, and tight in an olive drab uniform speckled and splattered with ribbons flexing all spectrums of the rainbow and medals shimmering and glinting bronze to gold reflections in the dying sunlight.

Dusk comes creeping slowly. The great Sol giant in the sky resists the coming of night and its dark haunting promises of lust, love, and sin to the star-crossed duo so far below watching it fade like witnesses at an execution. Rage, rage against the dying of the light.

Amorously, delicately, confidently, with all the conviction of a Quasimodo in Casanova’s skin, I stroke her soft Silly-Putty chin with the faintest tips of my fingers. Her hair, silver upon silver catches the wind and flies from her tender face. Resting with her arms behind her, I see her in her former Vargus glory splashed with lead heavy pastels and a postcard quote of back home inspiration across the fuselage of a doomed six-manned airborne whale hell bent on leveling great structures of the Fatherland. My sock-hopping Venus corrupted on dated jazz and tales of bootlegging days hosting contemporary outlaws loaded with hooch, tommy guns, and charisma.

“Harold?” I have long since removed the deceptive tag of my orderlies’ uniform that refers to me as the unsavory ‘Steven.’ “Harold, when do you think the graham crackers will march? Sonny keeps saying they are waiting for the pancakes to choose a new leader. But, I don’t trust the pancakes. They reproduce too fast, without any care for anyone else. They’ve almost pushed the waffles plum out of Wisconsin.”

I slide my finger oh so gently to her razor thin lips. Shush my sweet, not another angelic word. Though her childish, mindless chatter tugs at my throbbing heart like the spinning somber verses inked by long dead Greek hands, I cannot allow the sinking yellow-orange upon red sun to go to waste. Her hand, at first glance, gnarled, twisted, and ugly, but later revealed worn, defined and as beautiful as the bark of a great oak, wraps tenderly around my silencing finger.

“Don’t shush me Harold! It would do you some good to pay attention to the politics goin’ on around you. My daddy always used to tell me that a man with no eye on the world was like a gopher with a pea stuck in his throat; always ready to fly but carrying too much sand in his shoes.”

The graceful expression of childlike innocence on her face, contrasted by the lines of age, brings heart-crushing tears to my eyes. I curse the gods above and below for donning such a tragic, earth shattering love upon my unrighteous heart. Oh what cruelty to cast such an ill-fated hopeless calamity at two lovers such as us, in a world where none can see the beauty of our souls connecting. What unwarranted torture is this? What sins of my former lives damn me with this tragic hell?

“Now don’t you be crying, Harold. Don’t you feel bad for those men you killed back there. I know your sensitivity, and it ain’t nothing to be ashamed of. But remember, they was Nazis, and you had to get me out before they turned me into a goat like poor ol’ Mr. Peterson.”

Oh such love! Oh such understanding! Like Athena consoling my questionable deeds with the reassurance of righteousness. One sweet kiss I must have. Oh to taste just one glance of those pale inviting lips would be like a stolen sip of sweet ambrosia. I lunge forward, all care to be damned, and steal my kiss. The fluttering of my heart jumps and skips to where I feel as if my death is at hand. A thousand lives I would take, a million miles across scorched earth I would tread, over the farthest reaching peaks I would climb, to place my lips so heavenly upon hers again.

With confident, firm hands, she gently pushes me from her. Every inch of separation cuts at my soul like jagged daggers, but I must not harm her fragility. Thus, I obey. Flashing a sly smile, she reaches down with the grace of a Gomorran seductress, pulls ever so slowly at the hem of her gown. Up and up, over her ankles, knees, thighs laced with blue atlas like like veins until her waist and below is completely exposed to me.

“Now, you know you can’t have me until we’re married. But, I don’t mind if you look at me while you diddle yourself. My shining knight deserves as much.”

Hastily I fumble at my trousers, ever so willing to accept her voyeuristic gift with the greatest of graciousness. But fate, oh cruel fate will not even grant us such a moment as innocent as this. Iridescent lights, flashing the telltale blue and red glow of authority come racing to us with breakneck urgency fueled by misplaced desperation and purpose.

Oh cruel gods, you will not steal our love from us! Since life offers no chance for hearts such as ours, then death shall be our salvation. I stand with the determination of a gladiator. I will not be cheated! To my left lies a rotted pole of a fence long forgotten and moved by the changing lines of a map in a government office. This pole shall be our vessel. I take it up and hold it out gloriously for all the powers to see, My love looks into my eyes, deep with understanding and willingness.

“Goodbye, sweet Agnes.” I whisper tenderly before driving the aged, dirt ridden wooden mace into her skull.

-R.S. Courier has guided us through the darkest patches of humanity with grins on our faces for the last ten years. He lives in seclusion in an unknown Wyoming town, and has never sent a submission from the same email address twice. He no longer works for the nursing home.
-Originally published in 2007

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